A richly sung and beautifully staged production that brings fresh life to Rodgers and Hammerstein’s classic musical.
By Ian Cheeseman
Romiley Operatic Society may have “Operatic” in its name, but for Carousel it feels entirely fitting. Rodgers and Hammerstein’s 1945 musical was written for big voices and sweeping orchestration, and this 2026 staging at Stockport Plaza embraces that tradition with confidence. The leading performers delivered vocals with an operatic warmth that suited the material perfectly.
The show’s most famous number, You’ll Never Walk Alone, is widely known today as a football anthem thanks to Gerry and the Pacemakers and its emotional presence at Liverpool’s Anfield. But within the musical, it becomes something far more intimate. Elizabeth Phillips, as Nettie Fowler, performed it with vulnerability and depth, making the song feel newly powerful eight decades after its debut.
The production’s musical backbone was a magnificent twenty‑piece orchestra under the direction of Paul Lawton.
Their precision meant the cast had to meet an exceptionally high standard, and they did. Gareth Smith, as Billy Bigelow, was outstanding.
Having previously seen him excel as Jean Valjean in the North West amateur production of Les Misérables at the Liverpool Empire, I wasn’t surprised to see him deliver another commanding performance. Kirsty Tattler Marshall, as Julie, matched him beautifully, singing with clarity, warmth and emotional truth.
Gary Jones doubled as choreographer and as the show’s villain, Jigger Craigin. His professionalism shone through, as it did in his previous turn as Javert in Les Mis. The choreography, directed by Dawn Leigh, was another standout feature.
Movement played a major role in telling the story, and the dancers rose to the challenge with expressive, disciplined performances that complemented the lush Rodgers and Hammerstein score.
Among a strong cast, Kirsty Podlaski’s portrayal of Carrie deserves special praise. Every moment she was on stage, she commanded attention. Her comic timing was impeccable, her vocals soared, and her larger‑than‑life characterisation made her irresistible to watch. A genuine star turn.
The ensemble, too, was exceptional. Spread across the vast Stockport Plaza stage, they delivered a cohesive, energetic performance with no weak links. Olivia Williams, as Louise, was particularly impressive, but the entire company contributed to the show’s visual and emotional impact.
Despite its length, the curtain didn’t fall until 10.30pm after a 7.15pm start, the production never dragged. It was engaging, heartfelt and beautifully executed from start to finish.
If you’re reading this in time and can still get a ticket, I strongly encourage you to see Romiley Operatic Society’s Carousel at Stockport Plaza. It runs until Saturday 21st March, and this faultless production is well worth the effort.
Carousel by Romiley Operatic Society continues at Stockport Plaza until Saturday 21st March.