THE WORLD’S oldest brass band has taken a step into the future with the unveiling of its first ever crest.
Stalybridge Old, founded in 1809, has produced an official motif as it looks to become part of the town going forward.
Despite being around for 216 years, it has never had its own logo.
All that has changed, however, after Denton-based studio Lazerian, led by local artist Liam Hopkins, got to work.
And it is described as ‘a symbol of continuity, resilience, and community spirit, a modern emblem for a historic institution that continues to play a vital role in the cultural life of Stalybridge.’
“I delved into music sheets and posters, drawing inspiration from their vintage aesthetics and historical significance,” Liam said after drawing inspiration from early 20th-century typographic design – such as sheet music and posters from the era of Jack Judge’s Stalybridge-written It’s a Long Way to Tipperary.
“Researching the cultural history of Stalybridge was absolutely vital.
“It wasn’t just about creating something visually striking – it was about crafting a design that resonates with the band’s rich heritage and tells their story.
“The band members were forthcoming in sharing memories and stories that added depth to the project.
“However, the most impactful community engagement came when we took the Lazerian Mobile Studio on the road to various sites in Tameside.
“This allowed us to connect not only with past band members who shared their stories but also with locals who contributed their perspectives.
“These interactions were incredibly important, as those who have experienced the band’s influence firsthand brought an unmatched sense of inspiration and connection to the design process.”
Liam and Lazerian sought to produce a crest that not only honours the band’s heritage but also speaks to a new generation of brass musicians and supporters.
The result is a striking monogram, SOB, which captures the artistry, tradition, and local pride associated with the ensemble.
He added: “The monogram integrates elements reminiscent of early 20th-century design, such as the typographic flair seen in sheet music and posters from the time of It’s a Long Way to Tipperary.
“Subtle nods to the Stalybridge coat of arms and musical motifs were also woven into the design, connecting the band’s new identity to its heritage and the cultural fabric of the town.
“By weaving these historical details into a contemporary yet timeless design, the monogram serves as a proud emblem of the band’s legacy.
“It embodies their role as cultural ambassadors of Stalybridge, while reflecting their artisanal craft and enduring community spirit, giving the band a visual identity that is as meaningful as their music.
“Northern towns like Stalybridge boast incredible stories of resilience, industry, and community spirit, but they’re often overshadowed by larger cities.
“These towns are cultural powerhouses, and their contributions to music, art, and history deserve more recognition.”
A representative from Stalybridge Old Band said: “It has been great to have been part of this project and seeing the end result is fabulous.
“The logo looks great, and we will be sharing it on our social media platforms, showing what has been produced for us as part of this project. Our band crest is very special to us and is part of our very long history, but to also now have a modern logo is a lovely thing.”
This project is one of many supported through the Stalybridge Heritage Action Zone.
Under the banner of “The Bridge”, this programme – backed by Historic England and the Know Your Neighbourhood Fund – aims to celebrate local identity and foster creative regeneration across the town.
Claire Tymon, project director of Stalybridge Heritage Action Zone cultural programme, said: “It’s been a privilege to direct the cultural programme for the Stalybridge Heritage Action Zone and to support projects like this one, which celebrate the incredible heritage, creativity, and spirit of the town.
“Art and creativity play a vital role in helping places like Stalybridge to thrive, especially when working with local artists who are deeply passionate about their community.
“Public art is such an accessible and powerful way to celebrate a place’s identity and sense of belonging, and this project shows how creative collaboration can connect history with the future.”